AM Talk about Feria, Feria WHAT? HOLIDAYS IN ALBACETEBETWEEN 07-17 SEPTEMBER. ORGANISATION thoroughly done “by the book”. The car, trains horror, octopus, are some of the joysWHICH VIZITATORI.SE says he is waiting for crisis, but spendVERY HAPPY YOUNG EURO.

DRINKS flush, but it is nothing abnormal IS FUN WHEN at home.

Vasilica Alan was a Romanian folk music singer in the region of Teleorman, Muntenia. He began his artistic work of folk singer since a student (1974-1980), earning it first place in all stages of the National Students Art Festival, the original repertoire and style of interpretation.
His passion led him to collect folklore costumes authentic teleormanene, making, in just a few years, a rich collection that is currently in the Heritage Ensemble Songs and Dances “Burnas” in Alexandria.Alan started work Vasilica artistic singer of popular music since a student (1974-1980), earning it first place in all stages of the National Students Art Festival, the original repertoire and style of interpretation.

Passion for folklore led Alan Vasilica teleormanene to collect authentic folk costumes.

A life dedicated to Romanian folklore and popular tradition. An outlaw, after it, after the port. A single stamp, an unmistakable voice, a repertoire as well. It was, in few words, Alan Vasilica.

Throughout his career, Alan has made known Vasilica a rich repertoire, innovative, especially authentic.

Alan Vasilica founded in 1987, Teleorman assembly.

In parallel with mizica, Alan worked as a pediatrician Vasilica and village people appreciated him for the way they behave with children.

Alan Vasilica interpreter tried, whenever possible, not to change lettering teleormanean authenticity.

He was a loving husband and father, had a special care that everyone in his family to be well.
Florina Vasilică, artist wife, we talked about the special relationship that exists between them. “Let’s talk about Alan as an artist, as a minstrel, singer of popular music, folklore collector, collector of costumes, the songs, the keeper of the authentic, a true lover of folklore teleormănean, a keeper of traditions and folk customs teleormănene (“Gurban”, “Wedding-n Teleorman”, “Lăzărelul”, “Drăgaica”), training and promotion group “Teleorman”, Ensemble of Songs and Dances “Burnas” in Alexandria, it might be easier, because all this is Alan’s card Vasilica, dowry which has left its survivors. “

They love to be a doctor. “I love this profession that has chosen to practice until the end of life, because you put in front of the children, whom he loved very much. So maybe God gave him four children, to be his. “

HUSBAND. How was Alan as a husband? “Let’s talk about who was the husband Alan Vasilică father Alan Vasilică is harder. Because, in private life, he was an ordinary man. You should always know where each of us does, whether he is well, if I need something. We respect and take care of his mother, his relatives, whom he loved very much – uncles, aunts, cousins, nephews.

It is very difficult to talk about how we met, how and when we got married, as they passed the 23 years spent together, especially since it coincided not know how, but even in this period, namely the February 28, would have turned 27 years of our marriage.

I was married convinced we realized in a short time after we met that we want and we must find and build our own place, a place called “home.” We had all the happiness, love, joy, warmth, understanding.

Place of creation was for Alan home. When we got married, I was a teacher, his physician assistant. Then I knew that I marry a man whom I loved, a good man with noble soul. A modest man, who was knocking at the doors of pediatrician career, a profession he loved very much and who had always served with love. “

A man full of life. “Alan Vasilică husband was particularly happy, funny, always made jokes and his wife, with much laughter. Of course, that as I was. Our house from the first day was filled with love, happiness and, to my surprise, the song, humming songs all the time. In the first year of marriage, in October began to participate in various folk festivals (New Song in Mehedinti, then on the hill Teleormănel).

Then he began to collect folklore teleormănean to form a personal repertoire. Folklore that picking bearing age. He was convinced that the villages are plenty of old songs, still unexplored. Armed with a tape and a lot of patience to beat the gates of which was unknown or they have a song about a song known variant.

He went many times can the same person as the bearer of the song does not always have a liking for playing the right way or some simply could not be persuaded to be registered. Consider that “folklore is a concern to collect heavy”, that “you should expect, the man hit him in a particular state.” After the “load” of these fortunes, Alan came home, instead of the love for creation. Listen to songs over and over again. Meanwhile, his soul to “process” and, when you are ready, that gave them a personal note, I am “‘s”, give them the public trust and love that always loved and respected alike.

In this repertoire and has made himself added a special traditional costume consisting of old songs, actually the village of dowry chest. He found ipingeaua, being first to raise it again to the rank of honor, silk shirt sewn with good taste, girdle of wool, wool obielele, cap, and last but not least, sandals.

Slowly, the road began to climb the assertion, that way all the time with my family went with the children whom we had together, and Barry Livingston.

But years passed, he became a known name in world folklore, children have made great, and each pursuing his lifetime. His life was divided between family, the medical profession and all that involves artistic activity.

When he wanted to forget about work issues, just waiting to recondition the national shirt. Arrange on a work painstakingly pearls, sequins, sewing needles and thread, and only when all were ready to settle down. First recondition his shirt, then, if necessary, an “adorned” discreet, where required, with pearls and sequins. I take my tapestry and he started to sew together. While working he liked to tell what made the day, what plans has told me what had cases in my office, sang a song, more story-ria child’s something … “

Memories are many. But … “Many can not say. I am locked in my heart. They are another dowry that Alan Vasilică left it, but I left it only me to help me to have the strength to live without it until we will meet again to continue what I started here on Earth.

I would like to thank the good Lord, because Alan Vasilică existed because it was good to me and I destined to be a wife, girlfriend, mother of his children, friend, confidante, counselor and support of basic and well hard. ”

Margarit buds
Long-leaved forest
Come, go with trasioara
Arza would fire up the missed
Danube Danube

SOME OF THE PIECES ARE IN LOVE WITH echo CREATE FOR PEOPLE AND FOLKLORE

http://www.youtube.com/watch?v=y3owz0-A9-w

Lilac Anthony was born on 9 August 1948 in the village in the commune Gornea Sichevita (Caras-Severin county). After graduating from elementary studies in his native village and two Joint High School class Resita in 1964 he enrolled as a student at the Military School “Stefan cel Mare” Moldovan Campulung, where he graduated in 1966. Then, for another year student at the Military School was superior officers “Balcescu of Sibiu. Since 1970, he was a member of the Romanian Communist Party (RCP).
Between 1968-1972 he studied at the Faculty of Law at the University of Bucharest, whose courses he graduated with a diploma of merit 9.87 average, head of the class as Public Law specialization. In 1979 he earned his Doctorate in Law from the University of Bucharest thesis liability offenses. In 1982, graduate seminar “American Law and Legal Institutions in Salzburg (Austria).
Since 1972, Anthony Lilac is employed as a lecturer at the Department of Public Law Faculty of Law at the University of Bucharest. He ascended the hierarchy of all staff: trainee assistant professor (1972-1975), assistant professor titular subjects: Constitutional Law, Administrative Law, Financial Law, Labor Law (1975-1980), lecturer, administration and science discipline Administrative Law ( 1981-1990), associate professor in the subject of Administrative Law, named by the Minister of Education no. 6696/1993 (1990-1993). Since 1993, holds the position of professor at the university.
Since 1995 leading to the Ph.D. in the subject of Administrative Law. Between 1995-1996 and 2003-2004 was a visiting professor at the Faculty of Law, University of Paris 1 (Pantheon – Sorbonne). Since 1995 he is Chairman of the Scientific Council of the Romanian Institute of Administrative Sciences, based in Sibiu. In 1998 is elected as president of the Romanian-German University of Sibiu, the University Foundation for European Integration. He served as professor of the University “Nicolae Titulescu in Bucharest.
Along with teaching, Professor Lilac became a barrister in 1996 Bucharest Bar, is the coordinator of civil society advocates “Prof. Lilac and Associates, based in Bucharest.
He was married Niculina Lilac, a former judge at the High Court of Cassation and Justice, with whom he had a son, George Anthony Lilac.
Lilac Anthony died on 4 October 2007, at a clinic in Vienna, after a long suffering as a result of cardiopulmonary arrest against a pancreatic cancer, surgery relapsed with metastases. He was buried in Belu Cemetery with military honors (as was the knight of the Order “Faithful Service”), funeral service was officiated by Bishop Vincent Ploiesteanul Patriarchal Assistant
but if we talk about the great politician and see what he has done for Romania, in addition to creating the first and the only complex constitution of a state in total chaos, where everyone enjoyed that u got rid of Nicolae Ceausescu and most interpret democracy through theft, fraud and smuggling everywhere. examples history has given us a lot.
related to the history of post this morning star has pasoptiste separate file instead of writing letters of gold, who wrote history with a brain, despite the setbacks, which were many.
During December 1989 – June 1990, he worked as an expert teacher at Lilac Legal, constitutional and human rights in the NSFC (then PCNU). Following the parliamentary elections of 20 May 1990, he was elected as an independent senator from Caras-Severin, the only parliamentary party elected on the list in the Parliaments of Romania after 1990. In this term, he was part of the National Liberal Party parliamentary group. He acted as Chairman of the Drafting Committee the draft Constitution of Romania (Constituent Assembly). He also took part in the drafting committee of the Senate of the draft regulation.
He resigned on 9 June 1992 from the Romanian Parliament as it was called by the Senate in the dignity of the Constitutional Court of Romania for a term of nine years. He also resigned and the Constitutional Court of Romania in 1996. He has led or been part of numerous parliamentary delegation of the Constitutional Court or in Europe (France, Italy, Spain, Switzerland, etc..) In the U.S. and Canada, South America (Venezuela) and Africa (Tunisia), etc.
Between the years 1996-1998, was president of the Ecological Movement of Romania (MER) and the 1996 parliamentary elections he ran on behalf of the National Union Centre (MER PDAR PUR), were not chosen. In 1998 he joined the Social Democracy Party, was subsequently elected National Council and the Board of Directors. From June to November 2000, was a counselor in Prahova county.
Following elections in November 2000, Anthony was elected as a senator Lilac Prahova on behalf of the Party of Social Democracy of Romania (PSDR current PSD). In this capacity, he was part of the legal commission for appointments, discipline, immunities and validations (as Chairman), the Committee for Equality between women and men and the Committee for drafting the legislative proposal on revising the Constitution.
It is re-elected as senator PSD Prahova lists following the parliamentary elections of November 2004. In this term, was part of the legal commission for appointments, discipline, immunities and validations of the Senate.
but beyond polician illustrate career, Anthony lilac was an excellent lawyer, but to see what works gold lilac teacher left us:
Lilac Anthony has written several courses of Administrative Law, a Constitutional Law course, the Treaty of administrative law occurred in 2002, co-author of the 2003 constitutional revision.
He has published more than 50 significant studies in specialized legal journals in the country and abroad, a total of five courses of Administrative Law and science university administration, that the Constitutional and political institutions (the latter, constitutional law and political institutions has been published House Gallery “JLCalderon, 1994). He edited a number of 8 monographs, alone and in collaboration, including:
Constitution, commented and annotated (Gazette Journal “, Bucharest, 1992) – in collaboration;
Constitution drafting Odyssey (Ed. ‘Romanian Hearth’, Tg. Mures, 1998);
Treaty of Administrative Law, vol 2 (Ed. Nemira, 2000, reprinted in 2001 and 2005);
Revision of the Constitution – Explanations and Comments (Ed. Rosetti, 2003);
Romanian Constitution, revised, comments and explanations (Ed. ALL BECK, 2004) – Collaborative

The new Administrative Litigation Law – genesis and explanation (Ed. “Wheel”, 2004, reissued in 2006).
asked what she said about him:
“A country that has no teacher like crazy Lilac, that a man who pulls him universities, research institutes, writing monographs, treatises, so theoretically fundamenteză what will be designed as the law, so the country is doomed without teacher Lilac to progress”

many of our lawmakers sleep on our money, but to convince our parliamentary life of Senator lilac, I attached sheet published on site policy Romanian parliamentarian:

nthony Lilac
1948-2007

Parliamentary Activity
2004-2008
legislative initiatives
mediation committees
motion
Plenary speeches
2000-2004
1990-1992

You are in section: Home page> Legislature 2004-2008> Senate> Anthony Lilac
Anthony APPROACH
Parliamentary activity in legislature 2004-2008
SENATOR
Constituency no.31 elected senator PRAHOVA
National Union PSD PUR lists
validation date: February 17, 2004 – HS 57/2004
end of the mandate: October 4, 2007 – died
replaced by: Daniel Savu
Member of the Permanent Bureau

Parliamentary session: February. – September. 2006 – Secretary – until March. 2006
September. 2005 – feb. 2006
February. – September. 2005
dec. 2004 – January. 2005
Political party:

PSD – Social Democratic Party
Parliamentary group:

Social Democratic Party Parliamentary Group
Standing Committees
Legal, appointments, discipline, immunities and validations
Special Committee on amending and supplementing the Senate – Vice President
Joint Standing Committees
European Affairs Committee of the Romanian Parliament
Permanent Commission of the Chamber of Deputies and the Senate on the Status of Deputies and Senators, organization and operation of joint meetings of the Chamber of Deputies and Senate
Committee for European Integration (until December. 2006)
Parliamentary friendship groups of countries:

Friendship parliamentary group with Republic of Austria – in April. 2007
- Until oct. 2007
Parliamentary Group for UNESCO – until oct. 2007
Parliamentary group of friendship with Albania – until oct. 2007
Parliamentary group of friendship with Japan – until oct. 2007
Parliamentary Friendship Group with the Syrian Arab Republic – until oct. 2007
Parliamentary Friendship Group with Serbia – until oct. 2007
Parliamentary activity in figures:

Plenary speeches: 118 (in 82 sessions)
- Political declarations *: 4
* – Only political statements made in the time allotted them, according to the program.
Legislative proposals initiated: 10
Member of: 2 mediation committees
MOTIONS: 13
Listen
Read phonetically
Parliamentary Activity
2004-2008
legislative initiatives
mediation committees
motion
Plenary speeches
2000-2004
1990-1992
people like Anthony are born once every ten thousand years.
Rest IN PEACE AND IN THE NAME OF MILLIONS OF Romina few that hopefully for the better, up there PLEASE WHERE ARE OUR POLITICIANS to watch over, SMART MINDS AND TO SHOW THEM THE RIGHT WAY AND WHAT PARLIAMENT SEATS ARE,
Hope IN BUT WE HAVE A nephew of former Senator, Flavius INSPECTOR APPROACH, which up to one point, he follows in the footsteps UNCLE, pray tell us Uncle FEW WORDS ABOUT THE LORD OF POLICE INSPECTOR SAYS REFUGEE Timis:
“I owe my uncle, however, advice and help’S ARE THEIR NAME WAS A MAN IN POLICE ROMINA.A CALCULATOR, we think chess players, or opponents Intuit WHO WILL SAY AND ASA’S ALWAYS HAVE TO ANSWER ALL QUESTIONS ASKED, Rest Uncle IN PEACE AND THANKS FOR WHAT YOU ARE, I would have done it without you
TERMINATE HERE WITH IDEAS AND INSPECTOR Flavius APPROACH AND CAN NOT DECLARE:
“God rest in peace AND IF YOU MAY revert even for a day to guide us and saved a disaster is imminent.

Maria Ciobanu, SAU CIOCIRLIA România sa născut la 3 septembrie 1937 de tomate judetul Valcea Domnului

Multe din piesele de repertoriu a devenit populare, cum ar fi “Snake, buruieni şarpe”, “Ultima noapte când am dormit”, “Buna draga mea, pentru mine, Marin”, “Ia-mă, domnişoară, şi ia-mă, ia-mă! “, “La naiba, iubito,” “Spune-mi frate, du-te, du-te du-te?”, “gorjencele Hăulică”, Lie “ciocârlia” si lista ar putea .
Maria Ciobanu este castigator al festivalului naţional “Cântarea din România, capturarea primul loc în concursul pentru populara ţara de solişti profesionale, în 1977.

She was born on 2 July 1950, jointly flasks Teleorman County.
was a Romanian folk musician region Teleorman, Muntenia. Began his artistic activity lead singer of popular music since college period (1974-1980), clasându is first in all stages of the national Student Arts Festival, the original repertoire and style of interpretation.
Passion for collecting folklore led teleormănene authentic costumes, performing in a few years, a rich collection which is now in Heritage Ensemble of Songs and Dances “Burnaşul” in Alexandria.

Disappearance was premature at only 54 years when his career maturity is left deep traces in the souls of those who knew him and loved him.

If Vasilica Alan’s happened too early and too the unthinkable, which made us think about every minute that there are people around us that valuable, maybe tomorrow we will not see.

She began her artistic work of a singer of popular music ever since college (1974 – 1980), clasandu is first in all stages of the National Students Art Festival, the original repertoire and style of interpretation.

Like for Doina born with a voice that says more than the songs themselves, Alan Vasilica became slowly, a full bard.
Its occurrence was unmistakable.
With wool socks and ipingeaua heroically thrown on the shoulder.
This costume was completing the picture of a genuine artist, keeper of Romanian symbols.

“Marine your wedding,” Come on with trasioara “, or” on us at Teleorman “are songs that definitely have heard at least once in every Roman house.
When you say Alan Vasilica, do you think those immortal lines:
“Come on, with trasioara / Up-n hill Marioara / horse goes to step / And then make camp.”

Alan Vasilica brought back on stage singing group, spin old songs revealed an invaluable artistic and documentary.
When appearing in public with young group “Teleorman”, success was guaranteed.
Some of those who launched the popular music singers are
performers known and appreciated today:
Gelu Voicu Nicusor Jordan.

Vasilica Alan was also a pediatrician. . . What could be more wonderful than to love and children, and folklore and traditions of a country?
He was a man elected.
In the village we appreciate everyone’s.
Because it was a good man.
A real artist.
A cheerful man who loved mirth.

Day and afternoon medical interpreter had no time for his passion and life than others.
<<From the doctor a pill for the soul. . .
and the artist’s whole soul in every song.>>
Vasilica Alan is one of the artists who made two things at once.
There was no formal balance the teaching of music and doctor.
He did well both “jobs”.

A life dedicated to Romanian folklore and traditions.
An outlaw, after it, after the port.
A single stamp, an unmistakable voice, a repertoire as well.
It was in a few words
Liviu Vasil.

Liviu Vasil will remain forever in our hearts as we have known:
cheerful, optimistic and full of life.
His songs will always resonate, will be present in human memory and will never cease to amaze, delight and thrill.

Are some of famous pieces, which GRAND DOCTOR of our souls treated us over the years:

Let’s go with Trestioara
Marine your wedding
I Puica hill valley
Gheorghe seem milling
Meadow girl, meadow YELL
Based on our Teleorman
George drinker than my
How many flowers Calmatui
Who I miss and thirst
Damn you got to be the brown
Danube water violin
Hello proud sound
In forest Vartoape
Arza you would miss fire
The street from my dear
Margarit bud
Girdle
What are you looking at me Daiciţa
Long-leaf forest
Forest marry prince
Look whore beat a fault
I died so now not
What I thought I put Lelit-
Danube Danube
Ascend the hill, down to the valley.

He died a colossus, a House, a star, the biggest star of Romanian folk music.

John was born in the village  Persinari, Dambovita county.
In 1961, Maria Tanase followed a tour by two to three weeks Dambovita county. He debuted in the 18 years, the Culture House of Targoviste. In 1966 he graduated from Targoviste Ienăchiţă Văcărescu and attended the School of Popular Art.  In 1966 he became a soloist in the ensemble of “Skylark.

Ion Dolanescu have 65 years.

Born on January 25, 1944, John Dolanescu was folk singer and member of the legislature from 2000 to 2004, elected on party lists Ilfov GRP.

Persinari native village, Dambovita, Dolanescu had a significant discography, with numerous recordings for radio and television and many shows.

He is known and performed duets with singer Maria Ciobanu, and their son, Ionut Dolanescu.

In 1966 he graduated from Targoviste Ienăchiţă Văcărescu and attended the Popular Art School.

The first songs they recorded on the radio are “more Lenuţo, past the hill” and “good girl would be proud.” He recorded over 50 albums, including “I was born near the Carpathians”, “country songs and ballads of novices ‘,’ blues and party songs” and “Haulica.

In collaboration with Maria Ciobanu recorded light music album “Today is your birthday.” He also worked with Maria Tanase, Maria Ciobanu Elena Ionela Prodan Merişoreanu.

He received gold disc for the entire activity 1970/1996

Before 1989 he was accused of illicit gains, operating at Ioana Radu Nicolae Ceausescu in his favor, but one time was considered persona non grata.Acest episode inspired the famous hit “Work with my mouth my money took Prosecution”
A time relationship between him and Ionut very cool, because it is reconciled with his mother and refused to marry Loghin.A Irinuca was married folk singer Maria Ciobanu.

John Dolanescu recorded over his career, no less than 50 albums on vinyl and CD. [3] [8] was an artist with a substantial discography, with numerous recordings and TV and radio with a rich concert activity. Many songs they played in duet with Maria Ciobanu Ionut Dolanescu and, more recently, and lately, in which he reconciled with her. He also collaborated with Ionela Prodan and Elena Merişoreanu.
Several popular music of Ion Dolanescu:
“I was born near the Carpathian
“Gorjule, garden fresh”
“Since on-earth”
“Mândro when we loved us”
“Let me live my wife”
“My unforgettable, Mary
“They, whore, come over here” (duet with Maria Ciobanu)
Face-I would nightingale “(duet with Maria Ciobanu)
“In the spring under the hill” (duet with Maria Ciobanu)

I have complained on many great master, but among lacrmi told us a few words.

Gheorghe Turda close friend of John Dolanescu, recalls with regret the “man of great kindness.”

Sofia Vicoveanca: “We are poor,” says bucovineanca. It remembers about concerts they have done together, but also reliable friend John Dolanescu. ”He was the man who, if necessary, lay your hands. It’s a pity,” said Sofia Vicoveanca with pain.

Voicu: “John was Dolanescu banner Romanian music, which went so quickly and unexpectedly of us”

onela Prodan: “I learned from him success on stage and the audience. It is extremely difficult for the singer who was one of the most fruitful collaboration, to receive news of the disappearance of a man “without equal in the world.”

Stela Popescu: “It is a blow for the world. In communist times, people took it easy and were happier when they sing it.”
Iancu Nicolae Furdui: “I worked a lot with him, but I’ve always appreciated John Dolanescu artist, his vast repertoire, which included all of Romania. He is and will remain a big name in Romanian folklore.
Freeman’s native village

Ion Dolanescu will be appointed, posthumously, an honorary citizen of his native village Persinari, Dambovita county and local Cultural House will bear his name.

as you already know, close this article with autobiographical song lyrics of the great artist.

I was born near the Carpathian
At the bottom of the mountain
In a house with many brothers
And with many longings.
Raised among the fir and beech
At the bottom of the mountain
Near dear sheep
More songs.
Oh, mother, mother
What I fear living in the world
Oh, mother, mother
Longings are not taken into account.

A nun when I’ve done,
Green beans, chickpeas
You asked me miss the litter
Green bean chickpea
You asked me miss, I have swaddled
Green March rotated
And I miss you connected
Green March rotated
Oh, mother, mother
What I fear living in the world
Oh, mother, mother
Longings are not taken into account.

You rocked foot
The peony flower
As I crowns with Doru ‘
The peony flower
With longing and long road,
Green beans, chickpeas
I love to get a
Green beans, chickpeas
Oh, mother, mother
The yearning, longing and song
Oh, mother, mother
I was nervous, ‘stamping soul.
Oh, mother, mother
What I fear living in the world
Oh, mother, mother
Longings are not taken into account.

Maria Lataretu a vazut lumina zilei pe 1911-11-07 capace lui Ioan de familie Bălceşti, Gorj valley.There Gilort, teren situat intre Olt si Jiu, spune că vocea umană este un adevarat miracol, oferindu-modulaţii surprinzătoare şi cântând superba de păsări. Acolo au ajuns celebru aripi Mare cântec popular românesc.

Iată primele melodii a învăţat de la mama ei, Maria, în calitate de Novaci, culicul familie – muzicieni celebru în valea Gilortului. În 1923, la vârsta de 12 ani este gasit in formatie de muzica populara a Gilca Ionice Novaci, apoi Târgu Jiu, în Taraf frate, Ionita. Ei bine, nu sa transformat 16 ani atunci când solistul principal al formatie de muzica populara este Tica Lataretu, lăutar şi cântăreaţă Lelesti, un sat nu departe de la Targu Jiu lautar tinere. a devenit un sot, cantaretul este acum cunoscut sub numele de Maria Lataretu . Timp de zece ani rătăcitor din sat în sat, la nunti si petreceri, chiar până la Izverna Mehedintiului de frontieră în Banat Maria Lataretu. acum este cunoscut în întreaga Oltenia. O căutare şi vin să înveţe din acesta gorjence cântăreţi tinerii să înceapă să crească.
În 1937 Constantin Brailoiu aduce la Bucuresti, pentru înregistrările din Arhiva Societăţii de muzică populară. Primul printuri sunt realizate pe cilindrul fonograf, apoi înregistraţi “Columbia” Imprimare în mod repetat să înregistreze şi să joace de multe ori microfon de radio, si faima ei călătoreşte în întreaga ţară. şi peste. Din începe acum la profil cele mai importante etape din viaţa sa – şi consacrarea în calitate de reprezentant acantecului români singer.Llataretu Maria populara spune despre ea:

“Când am deschis ochii spre lume, am o casă mică şi săracă, cu doua camere …. Dar acum exista gradina mea nu pot uita. Lui gard-rotunde cu Stobi ţesute cu crengi de copaci si gradina avut o mulţime de trandafiri , nalba, garoafe, păducelul şi-o tufă de liliac. pot să spun că a fost probabil cea mai frumoasă grădină Balcesti. “

Maria Lătăreţu melodii trecut graniţele româneşti Ea invitaţii onorat concertul de la vecinii ţării. Cu cele din Egipt şi Siria.
Primul solist al Orchestrei numit “Barbu Lautaru” Institutul de Folclor, Maria Lătăreţu a devenit tot mai cunoscută. Curând vocea lui a venit din străinătate, ceea ce oferă apărut pentru a efectua în străinătate. Polonia, Cehoslovacia, fosta Uniune Sovietica, Egipt, Siria, Elveţia, Turcia, Ungaria, Grecia, Bulgaria şi Iugoslavia sunt ţări care au invitat şi a primit-o cu sali de plin. Imaginaţi-vă oameni care vin să vadă şi să audă cântând: “De ce nu te nsori Gheorghita?”, “ciocârlia Lie”, flăcăul Roger, Radu ” , “Sanie cu zurgalai”, “Au plecat olteni la coasa” si multe, multe alte melodii. Un alt limbaj pentru ei, dar această barieră este rupt, deoarece Maria a reuşit să transmită o mulţime de emoţie Cartea Maria. Lătăreţu, Privighetoarea nepereche “, scrisă de John si Dorin Brozba Lătăreţu conţine informaţii despre concerte şi în străinătate pentru un an, Maria a avut un contract cu restaurant bucate Lătăreţu români “Dunărea” din Rusia.. “Balşoi are o serie de mai multe ori. Aici a fost o şansă de a cunoaşte marelui compozitor de balet “Spartacus, Aram Haciaturian. El a spus Maria într-o seară că textul de afişare pentru” Dunărea “ar trebui schimbat” În principiu, nu este scris.: “Această seară cantităţi mari Lătăreţu”, dar “Tonight Regina juca piesa români”. În Egipt, Siria şi Iordania, ţări cu o altă cultură şi mentalitate, sa bucurat de un succes răsunător, primind titlul de “Printesa” sau “Regina song.Professor român Mihail Pop, la o conferinţă pe teme folclorice, a fost surprins să afle că Maria Lătăreţu de la Stockholm a solicitat Piesa a fost foarte lung patriarhal, Olten, vechi, arhaic, “m-am uitat la est, examinate şi clasificate ca fiind cele mai frumoase din lume unul.

A fost un interpret popular de muzica populara romaneasca, cu un repertoriu de folclorul românesc şi marcată de o activitate concertistică bogata români melodie. Dăruire populare sunt dovada inregistrarile sale numeroase şi de radio şi televiziune şi album numeroase, cu o expresie specifice poate fi observat în. Lui repertoriu propriu, a impresionat mulţi români, câştigând mulţi fani.

Unele cântece sunt încă reprezentative pentru Maria Lătăreţu probe de lucru face pentru a promova cântec popular Oltenia:
· Au început să coase olteni
· Cireşu, frunze rare
· Gilort valea fluxurilor
Jos în vale · ivoare
Las cantecele meu ·

“Privighetoarea Gorj, Olt şi Jiu, cantareata Maria Lataretu frumusete s-au adunat in cantecele sale, bucuriile şi dorinţele terenuri oltean El a murit pe scena care au slujit cu credinţă şi devotament.. Inima ei a încetat să bată încă încetat atunci când aplauzele publicului si ovatii. Acesta a fost in septembrie 28, 1972, română, Casa de Cultura, jud. Botosani.

În 1972, Maria Lătăreţu a început un turneu în întreaga ţară. Ea a murit în timpul unei co

ncert în satul românesc (jud. Botosani), din cauza unui accident vascular cerebral.
“Când am deschis ochii spre lume, m-am trezit într-o cutie mică şi săracă, cu două rooms.Now acolo … Dar grădina mea, eu nu pot uita. Au runda gard Stobi împletesc cu crengi de copaci, şi a avut o mulţime de trandafiri de gradina, nalba, garoafe, Hawthorn si Bush liliac pot. spune că a fost, probabil, cea mai frumoasă grădină Balcesti. “-Maria Lătăreţu.

În 1972, Maria Lătăreţu a început un turneu în întreaga ţară. Ea a murit în timpul unui concert în satul românesc (jud. Botosani), din cauza unui accident vascular cerebral

Maria Lataretu a murit cântând pe scena si public dupa ce a declarat ultima melodie a jucat a fost “las cântecele mele” Se presupune că ea ştia că va muri pe scena aia..

Vizite de oameni aproape Nightingale:
1.Marioara Murarescu a spus:-Long cântec Oltenia, jefuitor de cântece, dansuri şi mai ales sârb sârb celebru oltean, poarta melodii Maria Lataretu, cu dor şi le iubesc, pădurea şi florile. De ce nu le place Poate,? Pentru a le asculta, vom găsi ne în ele, cu bucurie, cu dor nostru ..

2.Maria Ciobanu a declarat: – “Am invatat de la două şcoli – o parte a Gilort şi dincolo de alte Gilort, Maria Lataretu scoala. Pot spune cu adevărat că profesorul meu de muzica a fost Maria Lataretu. A fost o plăcere de nedescris pentru a vedea cântând ei nu, numai ochii nuantand anticipativ, dar cu toate expresiile faciale ale sufletului meandre creaţiile sale, de la cele simple la cele mai subtile.
M-am luptat toată viaţa să fie succesori demni Acesta a fost îndemnul profesorului meu N-am plecat de la drumuri Gorj.. Am ales să păstreze o apreciere şi recunoştinţă. “

Cornescu 3.maria a spus: – “nobleţea şi generozitatea inimii cantate pe melodii el a creat cu o usurinta rar Maria Lataretu nu au fost fantezie produs, dar fiind propria lui de exclamare, dominată de o nelinişte insatiabila Ziua Recunostintei o nostalgie. Fiecare piesa stabilit cu ea, a fost de mai sus toate o confidenta, o mărturisire pe care le vedea, şi a stârnit adâncimi de inima lui, că chin şi încântare, regretă şi aspiraţiile ca ea a trăit şi dacă vremea sau moda poate depasi melodii Maria Lataretu., dar în tradiţia which s-au imprimat pentru totdeauna , este că ele nu pot fi niciodată uitate. “

Apostol 4.maria a spus: – “mic am iubit Maria Lataretu melodii A fost pentru mine întotdeauna un exemplu de trai şi de exemplu.. Am încercat să-i urmeze exemplul şi în repertoriul său vast de melodii pe care am ales să ne amintim de ce cantaretul wasgreat Maria LATARETU “

Amintiţi-vă draga mea Marie (MAI TI Minte MAI Draga Marie)

Amintiţi-vă draga mea Marie
Când coapte, strugurii nu au fost de viaţă
Şi erai mic Mariuta
Néni el nu a putut da gura ei.

Când el a fost ondulate trage
Erau mici şi ambalate
Ai fost babuşcă maramă
Mirosea a flori de primăvară.

Arati asa ca am luat basma
Pentru a vedea ce ti se potriveste, fără a fi
Şi te las să inapoi coadele
Stii fata departe.

Nu cred că am uitat fratele meu c
Ai fost frumoase şi au fost ‘înalt
Şi am adus apă pentru a Gilot
Da ‘nu ştiu pe fratele său note
Am albit cămaşă
Nu am ştiut să-ţi dea gura la tine.

Joaca-n poiană dans – Maria Lataretu, dans (Joaca hora-n Poienita – Maria Lataretu)

Ceea ce a fost audiat în fratele mai, joacă de dans-n poiană,
Să fratele şi noi la joc, să nu ne deloc.
Hai frate şi 2 noiembrie, pentru a juca ca si noi.
Dans de a juca acolo, să ne nu la toate.

Tu-i dea bătăi de dans, şi niciodată lăsat-o să se-nmoaie!
Şi stânga şi la dreapta, nu da drumul fata!
Hop, a, e consilier al doilea rând, un aide are trei bate pentru a da!
Hop, a, e consilier al doilea rând, un aide are trei bate pentru a da, hei, hei, hei …
Şa, şa, şa, auuuuu, şa, şa, şa, uua …

Nu lăsaţi să se rupă de dans, şi să joace împotriva unui sărut,
Sărut-o de două ori, c-tricou are flori.
Facuta cu mîna, să-l joace mai bine, Matei.
Matei are un bun şi mai striga ca noi.
Am auzit o, am auzit doi, am auzit ca 49?
jucători sârbi ca Gorj-up pentru a auzi în Dolj!
Serbia vrea să meargă în Oltenia pustietate!
Hop, a, e consilier al doilea rând, un aide are trei bate pentru a da!
Hop, a, e consilier al doilea rând, un aide are trei bate pentru a da, hei, hei, hei …
Şa, şa, şa, auuuuu, şa, şa, şa, uua …

George Gershwin was born in Brooklyn in 1898, the second of four children from a close family of immigrants.

At first he excelled in sports in his poor street east side Manhattan neighborhood, and had contact earlier music. His musical exposure came the first time a piano was brought home Gershowitz for his brother, Ira. George (12 years) had an immediate interest in the instrument and began playing a popular song from him save a neighbor’s piano. His parents invested in lessons for George from the age of 13 years. He studied with American composer Rubin Goldmark, Henry Cowell and Wallingford Riegger and Russian-born composer and theorist Joseph Schillinger Alley. Gershwin at the age of 15 years stopped school and was a pianist and song “killer” for a Tin Pan music-publishing company, Jerome H. Remick & Company, earning $ 15 per week. He began his musical career as a song-worker on Tin Pan Alley, but was soon writing his own songs. Gershwin’s Song first published, “When You Want Em, you can not get ‘Em,” demonstrated innovative techniques, but only earned five dollars. Soon after, however, he met a poet young man named Irving Ceaser. Together they formed a series of songs, including “Swanee,” which sold more than one million copies.

In the same year as “Swanee,” Gershwin collaborated with Arthur L. Jackson and Buddy De Sylva his first complete Broadway musical, La, La Lucille “. Over the next four years, Gershwin wrote forty-five songs, among them were “Somebody loves me” and “Stairway to Paradise”, an opera and 8:05 p.m., “Blue Monday”. Consists of five days, the piece contained many musical clichés, but it also gave indications that the developments to come.

To supplement his income, on Saturday, Gershwin recorded the piano rolls under various aliases. For his efforts he received $ 35 for six rolls. He was a great admirer of comedian Ed Wynn and is currently in his honor, that Gershwin changed his name late last year. 

Gershwin’s first song was to be published when you want ‘em, do not get them when I got it, do not want him in 1916. It was successful in his 1918 song Swanee brought him fame as a composer he has established, and marked the end of his systematic study of music. Swanee was originally written for a magazine to new Capitol Theatre opened. It was not successful on this outing, but when presented by Al Jolson in Sinbad became the biggest hit of Gershwin’s entire career. 

Gershwin was one of the first to introduce folk songs and jazz rhythms, melodic twists. Among his best known songs are Man I Love, I Got Rhythm, and Someone to Watch Over Me. Lyrics for almost all his songs were written by his brother Ira, who was also his collaborator on a number of magazines and musical comedies, which included George White’s Scandals (1920 – 1924), Lady Be Good (1924) Funny Face (1927) and political satire you sing (1931), the first musical comedy to win a Pulitzer Prize. 

At the invitation of bandleader Paul Whiteman, Gershwin wrote, in less than three weeks, his Rhapsody in Blue (1924) for piano and jazz orchestra. Writing speed was due, in part, George looked a fee. It was when Ira read the newspaper future show that George’s memory was jogged. Much of the inspiration for the work came to him during a trip by train to Boston, with its steel rates, rattlety bang … Suddenly I heard – and even saw on paper – construction completerhapsody from beginning to end heard. I like a musical kaleidoscope of America – of our vast melting pot, of our unduplicated national pep, of our blues, our crazy Metropolitan. “actual music was written in a week to his return to New York. 

The first night at Aeolian Hall, New York, George himself was the piano soloist. They say he received inspiration for Gershwin piece rhythm of the rhythm of a train. Clarinet Glissando known-good starting job, was not originally conceived by Gershwin. Rather he played clarinet soloist as a joke, Gershwin liked and thus became part of the score. Ferdi Grof American composer, then a pianist and arranger for Paul Whiteman’s orchestra orchestrated Rhapsody in Blue, originally written for smaller orchestra swing. Gershwin Rhapsody in Blue success led to write several pieces for piano and orchestra, including the Concerto in F (1925). very evocative tone poem An American in Paris (1928) takes the listener to the streets of Paris in the 1920s and requires car with four horns to reflect time traffic noise. Gershwin traveled to Paris in hopes of studying with the great teacher Nadia Boulanger, but she refused saying it was better the way he was. While working drawings made in Paris, was completed on a farm in Connecticut. 

Gershwin also tried to study with Igor Stravinsky. As he approached the composer Stravinsky at a party he surprised the question “How much money do a year?” Hearing Stravinsky’s response said: “Perhaps you should study with Mr. Gershwin.” 

Man I Love’s song was composed for the musical Lady, Be Good in 1924. Now famous chorus of the song was originally verse. Gershwin found so pleasant verse was changed to the choir and wrote a new verse for the song. Man I Love was dropped from the show before it opened in New York. Three years later it was included in Strike Up the Band, but the entire show closed during tryouts. Once again it was to be included in Rosalie (1928), but disappeared. Man I Love popularity was ensured If the torch singer Helen Morgan put it in her nightclub act. 

An American in Paris was inspired by a trip that took the Gershwins in Europe in spring 1928.George wanted to capture not only the city is named, but carefree attitude of his fellow Americans on holiday. To add authentic color to work garage Gershwin visited Paris and acquired the use of taxi horns incorporated into the score. The piece premiered at Carnegie Hall December 13, 1928 and almost immediately transferred from the concert hall music scene as it was incorporated into the scene Ballet Show Girl. 

Girl Crazy (1930) was the last, largest and, lighthearted Gershwin musicals. Despite a ridiculous plot was a memorable production, with a line of incredible songs, Ginger Rogers was the star of the show, Ethel Merman made her debut stage performance, and the pit were musicians like Benny Goodman, Jack Teagarden Glenn Miller, Jimmy Dorsey and Gene Krupa. 
Hen he was 25 years, his jazz-influenced “Rhapsody in Blue” premiered in New York at Aeolian Hall concert, an experiment in music. “ The audience included Jascha Heifitz, Fritz Kreisler, Leopold Stokowski, Serge Rachmaninov, and Igor Stravinsky. Gershwin followed this success with his orchestral work “Piano Concerto in F, Rhapsody No. 2″ and “An American in Paris”.Serious music critics were often at a loss as to where to place Gershwin’s classical music in the standard repertoire. Some dismissed his work as banal and tiresome, but always found favor with the public. 

In thirty years earlier, Gershwin experimented with some new ideas in Broadway musicals.”Strike Up Band,” Let Em Eat Cake “, and” you sing “were of innovative works dealing with social problems of the time.” Since you sing “was a huge hit and the first comedy to win the Pulitzer Prize. In 1935 he presented a folk opera “Porgy and Bess” in Boston with only moderate success. Now recognized as one of the seminal works of American opera, it included memorable songs such as ”So it is not necessarily,” “I Loves You, Porgy” and “Summertime.” 

In 1937, after many successes on Broadway, the brothers decided go to Hollywood. Again teamed with Fred Astaire, who was now paired with Ginger Rogers. They made music video, “Shall We Dance”, which included hits like “Let’s Call Whole Thing Off” and “they can not Take That Away From Me” came soon after. ”A damsel in distress” in which Astaire appeared with Joan Fontaine. After becoming ill while working on a film he had plans to return to New York to work on writing serious music. He planned a string quartet, a ballet and another opera, but these songs were never written.

In 1932, Gershwin’s musical was the first music you play which received the Pulitzer Prize. As a prize for writing prize went to George S. Kaufman, Morrie and Ira Gershwin Ryakind. For music, George Gershwin received the Pulitzer Prize posthumously to mark the centenary of his birth. 

Cuban Overture (first called Rumba) was George Gershwin’s last attempt at a serious orchestral success. He visited Havana in 1932, for relaxation and became very interested in Cuban music, especially percussion. Gershwin was before his time, first overture a year or two before the popularization of the Cuban rhythms of Xavier Cugat. 

While most of his compositions successful and met with him was one of the great composers of his day, Gershwin has found initial success with his 1935 opera Porgy and Bess. Based on the novel Porgy by DuBose Heyward American writer, and set among the poor of the South, Porgy and Bess “was Gershwin’s largest company. It was revived on Broadway in 1942 and 1953 and made into a movie 1959. Today we consider the work a unique ministry that Gershwin’s masterpiece. 

In 1926, Gershwin began to collect contemporary art and the following year began to draw and paint as a hobby, a game that would become increasingly important to him. 

Gershwin life came to an early and tragic end just 38 years and at the peak of his career. While working on the score of the Golden Follies collapsed into a coma and later died in Beverly Hills, California, on July 11, 1937 from a brain tumor. 

George Gershwin music has been used in numerous films and was taken to a success in my only musical (1983) and Crazy for You (1992). 

George Gershwin’s music was often about grand statements. He described himself as a “modern romantic and said that” real music … should reflect the thinking and aspirations of people and time.

At age 38, died of a brain tumor. Today he remains one of America’s most beloved popular musicians.

My people are Americans. My. time is today “

ONE OF WORKS CXE grand wearing these, and we caresses senses NAME AS MELANCHOLY

Summertime,
And the livin’ is easy
Fish are jumpin’
And the cotton is high

Your daddy’s rich
And your mamma’s good lookin’
So hush little baby
Don’t you cry

One of these mornings
You’re going to rise up singing
Then you’ll spread your wings
And you’ll take to the sky

But till that morning
There’s a’nothing can harm you
With daddy and mamma standing by

Summertime,
And the livin’ is easy
Fish are jumpin’
And the cotton is high

Your daddy’s rich
And your mamma’s good lookin’
So hush little baby
Don’t you cry